• dwelling house
  • conflict resolution
  • memory palace
  • a defense
  • amplifications
  • proving a vision
  • desire lines
  • anagrams
  • seeing is believing
  • templates
  • untitled
  • to future historians
  • second nature
  • thunder
  • constellation (no.1-3)
  • untitled (or smalltalk)
  • primetime
  • en passant
  • chromatonement
  • the world is flat
  • the sustainable life
  • a crescendo
  • love is knots
  • things I must dimention
  • According to a theory in alternative Egyptology, the alignment of
    the pyramids of Giza corresponds to the relative positions of the
    three stars in Orion’s Belt. The significance of this correlation
    remains unclear, as does the manner in which such precision could
    have been achieved. What for some is an embodiment of autocracy,
    for others is proof of extraterrestrial involvement.

    The titular template, established by the three sister stars,
    governs every element of the installation. It is reproduced on the
    two-dimensional map, and it dictates the spatial distribution of
    the three-dimensional objects — the exact, scaled-down replicas of
    the pyramids. This multilayered alignment functions as a literal
    illustration of anancient hermetic aphorism ‘as above, so below’
    which, in brief, portrays the microcosm as a reflection of the
    macrocosm.

    The installation functions in fact as a self-referential, enclosed
    system, independent from any spatial context. Each object refers to
    another and, at the same time, corresponds to the astral principle,
    providing a universal grid that overrules any circumstantial plans.

    – excerpt from a text by Alicja Melzacka, for the exhibition 'Where
    widowed objects meet orphaned ideas'

    MDF, lacquer, plexiglass, brass screws | 44 x 128 x 44 cm / 41 x 126 x 41 cm / 20 x 112 x 20 cm / plexiglass 173 x 142 cm | installation – 2018